#3865

29.11.2017

happy on . eld his breath, never k . y twelve-year-old . the fact of having felt things; i . numb hand . When he was that age! . age! A slight prickling, like sensation restoring itself to a numb hand. Was his old self considering a return? To his surprise, he had trouble recalling his thoughts and emotions from sixth grade. Surprising, because he remembered the . much for current events,” . Tell me when this part is over, O.K.?” . s a family, a . only homework was to watch TV . She sank beneath the horizon of the sofa. “Hello? . Unclear. . You know you’re supposed to be doing these every night? . Fire Hydrant. Dipping Bird. Short Bridge. Clock. . Clam. . calf raises, . ere straightforward, but others had names such as Clam. Studying the printout, with its u . ries of exercises to . hamburger with lettuce and Thousand Island dressing, cut in half, cooked medium rare. . I’m their second choice . d. . eople only hang out with me because there’s nobody else aroun . “I’m considerin . excruciatingly f . nflamed internal . mysterious; . quietness i . es of a bathroom . f ballet tig . adult you enjoy talking . homeschooled?” U . ere . Tracy . Steve . Baskin-Robbin . eld his breath, . welve-year-old feelings, h . rouble recalling his thoughts and emotions from sixth grade . t prickling, l . ne of those girls who intimidated him when he was that age. . Her school supplies sparkled . So much for current events . Keep the pressure on!” . Keep at him, . warm and momentous b . be crated— . Presidential debate as a family . residential debate as a family, and though it took them a while to get settled—the restaurant had sent only one spicy instead . only homework . o . She sank beneath the horizon of the sofa. “Hello?” . No answer. . understand . Fire Hydrant. Dipping Bird. Short Bridge. Clock. . eries of exercises . cooked medium rare. . a hamburger . “I have no friends.” . my eyes on the roa . I’m not going to look at you. . s; . mysteriou . excruciatingly full, . white tiles of a . peeled-off pair of ballet tights . peeled-off pair of ballet tights, splayed on the white tiles of a bathroom floor. . he sounded sorry for himself. . he sounded sorry for himself. But his daughter, good for her, was not thinking about him or his feelings. She stared at th . sounded as if he meant the opposite. . there’s an adult you enjoy talking . ou’re quite the conversationalist in there. . ew personal record . seventy-four likes . eventy-four likes on her ice-cream photo. Set a new personal record on her Snapchat streak with Talia. Other days her . every answer right on the Kylie Jenner quiz. Re . ang along to songs on the . hysical therapy twice a week . ifficult to talk to. . twelve . put down the phon . “warm” . c . loseup of a shopwindow . ice-cream cone, . Instagram account . Hi, Ivy,

“Likes” | The New Yorker


Postrenesansna umetnost razvija estetske institucije inovativnim tehničkim postupcima. . – U renesansi umetničke prakse razvijaju sopstvenu praktičnu ideologiju i proizvode njenu materijalnu egzistenciju u estetskim institucijama. . Socrealizam je jedan od retkih uspešnih odgovora na avangardistički zahtev da se umetnost politizuje. . umetnik rob svog genija . om socreali . pa i realizam je kulturna tekovina čovečanstva, prenesimo ga masama!“ „pa i impresionizam je tekovina koju trebamo preneti masama“ itd . Fašistička umetnost već praktikuje „postmodernistički“ trik: reciklira auratičke elemente, ako su upalili jednom, upaliće opet.[53] Ideološka moć fašizma izražava se u njegovoj sposobnosti da „reciklira“ i sebi savremenu umetnost, da i p . Šta onda preostaje od ideološke građe, ako joj estetizacija oduzme njenu specifičnu vanestetsku „svrhu“, naime interpelaciju? Ostaju kulturno šarenilo, folkloristička egzotika – kineski zid, ajkula, umetnica-kao-šamanka, vandal-kao-umetnik. . og umetn . Recipijent slobodnom interpretacijom umetničkog dela (koju doduše može izvoditi samo u ideološkom polju određenom estetskim ideologijama t . savremena umetnost je aparat društvene diferencijacije, ona obavlja burdijeovsku distinction, društvenu segregaciju . Ko nije već interpeliran u estetsku ideologiju – a to znači u buržoasku ideologiju kasnog kapitalizma, taj u savremenoj umetnosti ne može videti umetnost. I obrnuto: ko u savremenoj umetnosti gleda umetnost, reprodukuje buržoasku ideologiju kasnog
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